The State vs John Hayes – King’s Head Theatre until 22nd November
★★★★ “Raising some hard questions about justice, gender and mental illness, this is a powerful and well-staged production that needs to be seen – possibly more than once.”
Guest review by Liz Dyer
fanSHEN Invisible Treasure
★★★ “Invisible Treasure is bold, creative and raises some interesting questions about human behaviour.”
Guest review by Liz Dyer
Looking for Lansbury – St James Theatre Studio Touring
★★★★ “This show now continues on tour and I would say if you’d like to know more about Dame Angela Lansbury or if you just want an extremely interesting and informative night of entertainment catch it when it’s in a town near you.”
Caroline Hanks-Farmer
Sate of Fear Responsibility to ..? Southwark Playhouse
★★★★ “This was a wonderful evening and I understand there will be more next year, so I would suggest, that as this was a sold out event, as soon as you hear about it I’d get yourself a ticket and I’ll see you there!”
Caroline Hanks-Farmer
“a harsh yet funny examination of London’s darker side”
Playground – Old Red Lion Theatre
★★★
Guest Review by Sarah Tinsley
Twelfth Night at the Rose Playhouse until 30th October – A gender experiment: Cast play opposite gender.
★★★★
Guest Review by Liz Dyer
Twelfth Night at the Rose Playhouse until 30th October
★★★★
Guest Review by Sarah Tinsley
An enigmatic performance, delivered in such a way to leave the audience not only with a sense of entertainment and good humour, but that, just like Shakespeare, we shouldn’t be so quick to assign fixed roles based on gender
The Window/Blank Pages – The Hope Theatre until 17th October
★★★★ “Rafaella Marcus and Mingled Yarn have perhaps taken a gamble in choosing to revive her grandfather’s work, but it seems to be one that’s paid off.”
Guest Review by Liz Dyer
ORESTEIA – Trafalgar Studios West End Until 7th November
★★★★★ “an intelligent, intellectual play and a masterclass in acting”
By Caroline Hanks-Farmer
PROOF – Tabard Theatre London until 24th October
★★★★★
Guest Review by Liz Dyer
“important and brilliant piece of theatre.”
Carn's Theatre Passion 